Hey guys,
So here it is, my review of Linkin Park's 5th album, Living Things.
The first track is called Lost In The Echo, and what a way to start an album. Rap verse from Mike Shinoda, chorus from Chester, and even some screaming in there. This song could be on Meteora. The guitar and drums were great. A great way to start.
The second track is called In My Remains, and you could immediately hear some of the electronic elements from A Thousand Suns. Chester's voice when he started singing was full of emotion and it blew over when the chorus hit. Then it slows down and Mike Shinoda (who has an amazing voice for a rapper) starts singing amazingly, and then Chester rocks it.
The third track, and lead single is called Burn It Down, and Chester starts out with that same emotion, backed by the electronic elements from A Thousand Suns, and then rocks the chorus. Then, surprise, surprise! In the bridge we get an awesome rap verse from Shinoda! Something we hadn't seen in a lead single since Meteora, and this verse sums up the song in one awesome verse. And then Chester takes us out with a chorus.
The fourth track is called Lies Greed Misery, and it is one of the best songs on the album in my opinion. It starts out with an awesome rap verse from Mike Shinoda, and then Chester rocks the chorus. After another verse and chorus, Chester slows it down and screams his head off (awesome)! All the while, awesome guitar, and fast drumming.
The fifth track is called I'll Be Gone, and while very emotional and slow, it still rocks! Guitar from Mr. Delson to start out, followed by slowing down for Chester's emotional voice. Then the drums bring us in to Chester's rocking chorus. The whole thing could've been instrumental, and you would still feel the emotion that Chester only intensifies.
The sixth track is called Castle Of Glass, and it's one of the few songs dominated by Mike's singing voice. He does great, especially considering he's a rapper. The harmonies on the chorus were amazing, and you could feel the emotion. The guitar was full of feeling as well, and the drums intensified that feeling.
The seventh track is called Victimized, and while less than two minutes, it rocked, with Mike singing, Chester screaming, and a rap verse! The instruments were fantastic as well, heavy when necessary, and soft when needed. Possibly my favorite song less than two minutes.
The eighth track is called Roads Untraveled, and it is easily one of my favorite Linkin Park songs, despite being slow. It's about how you can't change the past, so don't try to. Mike and Chester are so emotional in their voices you can feel it, because any human being can relate to this song. The drums and piano intensify that feeling. It's one of those songs that someone might cry to.
The ninth track is called Skin To Bone, and this one could easily be on A Thousand Suns. The electronic based keyboard, the awesome lyrics, and Mike's emotional harmonies with Chester really make this song great. I could easily see this in a music video.
The tenth track is called Until It Breaks, and Mike starts out rapping amazingly. This song probably has the least Chester time, considering he only has one short part, still awesome though. It's these kind of songs that make me wish that Mike rapped a lot more. The guitar is great, and the drums intensify Mike's rapping. And then, surprise surprise, a slow verse from guitarist Brad Delson, which I thought was good for a change, but I wouldn't like to see it become a regular thing.
The eleventh track is an instrumental called Tinfoil, and sort of an intro to track twelve.
Track Twelve is called Powerless, and this one easily makes it's way into my favorite Linkin Park songs. Chester starts out backed by Piano, sounding incredibly emotional, and the chorus only intensified that emotion. The song then starts to build up leading to the guitar in the bridge, which rocked. Then Chester takes us out with a chorus, rocking it, ending with a bang. An incredible way to end an incredible album.
Overall, I would say this is the best Linkin Park album yet. The first two were great, but a lot of the songs sounded the same. Minutes To Midnight did not have nearly enough rap, and A Thousand Suns, was sort of half album, half short instrumental. This one took the good from each of their first four albums and turned it into a masterpiece. You could hear Hybrid Theory, Meteora, A Thousand Suns, and even some Minutes To Midnight. Linkin Park has made their mark as a rock band, and proved themselves as the artists they are. I would hate to be the fan that stopped listening when Catalyst came out. Overall, Living Things, 10/10, and I am not sucking up to them, it was really that good. But don't take my word for it, buy it yourself, you'll see what I mean.
Tuesday, June 26, 2012
Monday, June 25, 2012
Linkin Park Living Things live Berlin Concert Movie review!
Hey guys,
So I usually don't do movie reviews because with album reviews, I can listen over and over and really evaluate them. Movies either you only watch once, or watch a few times. The point is, a movie review is much more difficult. However, when I heard that the Linkin Park concert movie Living Things was coming to my theater, I knew I had to see it, and review it. So here it is, my review of NCM Fathom's Linkin Park Living Things.
Me and my brother got there early and there was a half hour preshow that was basically Linkin Park youtube footage, combined with an LPU promo, and the music videos for Waiting For The End and The Catalyst. I just wish they didn't repeat it afterwards. Then the show started with The making of the Burn It Down music video. There was lots of interesting behind the scenes footage, but some of it was just the band members screwing around, which I'm not going to complain about, because I laughed. Then the Burn It Down music video started playing, letting us watch their hard work come to life. Then the concert. They opened with Faint and it rocked! They played Papercut, which isn't usually in their live shows, and to tell the truth, there was a lot of Hybrid Theory for a Living Things movie. They did, however, play Lies Greed Misery, followed by a rap verse from Until It Breaks (the third to be exact), which left me surprised they didn't play Burn It Down. They played a lot from A Thousand Suns, and even played a medley of Leave Out All The Rest, Shadow Of The Day, and Iridescent, set to the tune of Iridescent. Did I mention at one point (I forget which song) Mr. Hahn had a badass turntable solo? They closed with Bleed It Out, but then, surprise surprise! Right in the middle of Bleed It Out they did a cover of Sabotage by The Beastie Boys, and Chester killed it. They closed with the end of Bleed It Out, leaving me blown away. I was glad to see they played songs from every era of LP and it wasn't dominated by one particular album. I would like to point out they dressed so normal for rock stars. They wore button up shirts, jeans, converse, and that's it. No weird stuff (well, Chester had stretched ears, but that doesn't really count). Also, Chester can still scream like a pro. One part I laughed at was one of the fans had purple hair. The fact that so many people showed up to an LP concert in Germany, shows that LP has made their mark as a rock band and has broken the language barrier, reaching out to fans who can't even understand a word they say. I really enjoyed it, despite the fact that the woman behind me was screaming like it was a real concert (some of it justified, other times, uncalled for). Overall, I give this movie a 10 out of 10, and that is not sucking up to them. Keep on rocking Linkin Park, I will be reviewing Living Things very soon.
So I usually don't do movie reviews because with album reviews, I can listen over and over and really evaluate them. Movies either you only watch once, or watch a few times. The point is, a movie review is much more difficult. However, when I heard that the Linkin Park concert movie Living Things was coming to my theater, I knew I had to see it, and review it. So here it is, my review of NCM Fathom's Linkin Park Living Things.
Me and my brother got there early and there was a half hour preshow that was basically Linkin Park youtube footage, combined with an LPU promo, and the music videos for Waiting For The End and The Catalyst. I just wish they didn't repeat it afterwards. Then the show started with The making of the Burn It Down music video. There was lots of interesting behind the scenes footage, but some of it was just the band members screwing around, which I'm not going to complain about, because I laughed. Then the Burn It Down music video started playing, letting us watch their hard work come to life. Then the concert. They opened with Faint and it rocked! They played Papercut, which isn't usually in their live shows, and to tell the truth, there was a lot of Hybrid Theory for a Living Things movie. They did, however, play Lies Greed Misery, followed by a rap verse from Until It Breaks (the third to be exact), which left me surprised they didn't play Burn It Down. They played a lot from A Thousand Suns, and even played a medley of Leave Out All The Rest, Shadow Of The Day, and Iridescent, set to the tune of Iridescent. Did I mention at one point (I forget which song) Mr. Hahn had a badass turntable solo? They closed with Bleed It Out, but then, surprise surprise! Right in the middle of Bleed It Out they did a cover of Sabotage by The Beastie Boys, and Chester killed it. They closed with the end of Bleed It Out, leaving me blown away. I was glad to see they played songs from every era of LP and it wasn't dominated by one particular album. I would like to point out they dressed so normal for rock stars. They wore button up shirts, jeans, converse, and that's it. No weird stuff (well, Chester had stretched ears, but that doesn't really count). Also, Chester can still scream like a pro. One part I laughed at was one of the fans had purple hair. The fact that so many people showed up to an LP concert in Germany, shows that LP has made their mark as a rock band and has broken the language barrier, reaching out to fans who can't even understand a word they say. I really enjoyed it, despite the fact that the woman behind me was screaming like it was a real concert (some of it justified, other times, uncalled for). Overall, I give this movie a 10 out of 10, and that is not sucking up to them. Keep on rocking Linkin Park, I will be reviewing Living Things very soon.
Wednesday, May 16, 2012
Upcoming Reviews 2012
Marilyn Manson - Born Villain
Deuce - Nine Lives
Nightwish - Imaginaerum
Black Veil Brides - We Stitch These Wounds
Black Veil Brides - Set The World On Fire (maybe)
Brokencyde - I'm Not A Fan, But The Kids Like It
Brokencyde Will Never Die
Brokencyde - Guilty Pleasure (maybe)
Dragonforce - The Power Within
My Chemical Romance - Danger Days: The True Lives Of Fabulous Killjoys
Hollywood Undead - American Tragedy
Hopefully Linkin Park - Living Things
Linkin Park - Burn It Down music video review
Concert review
(more coming soon)
Saturday, May 5, 2012
Dot Dot Curve - Dead Beat Review
So I recently acquired the new Dot Dot Curve album, Dead Beat (it took a lot of mission impossible type stunts), and I'm ready to review it. Please note that I will not give my opinion on songs I already reviewed.
Track one is an intro called Lost My iPhone, and it was weird, but DDC always has weird intros, however, considering the lyrics in this one, the next one will probably just be too weird.
Track two is called Where's My Pants, and I already talked about this one in my review of Pound Sign EP, which I will post a link to at the end.
Track three is called Zoom!, and it sounds like if Skrillex did Rocketship to the moon. If you know who Skrillex is, you'll get the reference.
Track four is called Bologna, and I already reviewed it.
Track five is called What Happened!? (The first really new song on the album), and I like it. The beat's good, the lyrics are good, my only real complaint is that the lyrics sound like a generic party song.
Track six is called seXXX, which is like Zoom!, but with Yea I'm The Sex, and they managed to drag it out to three minutes and twenty seconds, oh, and they actually used a full verse.
Track seven is called David Banner, and I already reviewed it.
Track eight is called StonerBoySwag, and I thought, did they really put that song on this album, but I soon found out, it's another remix, but they dragged it out to four minutes and thirty-six seconds.
Track nine is called Right Now, and I already reviewed it.
Track ten is called POPbottles, and basically, it's like Zoom!, but with Boys Pop The Bottles.
Track eleven is called Vampire ft. N!tro, and I already reviewed it.
Track twelve is called FreakGeekWithStretchedEarl0bes, and I already reviewed it.
Track thirteen is called PocketFullOfChange, and it's something I really would've liked to see on I'm Still Here, because it sounds like something that would be on that album, and it's really good. Great rapping, great beat, and some screaming too.
Track fourteen is called TearThisPlaceUp and it's like Zoom!, for what seems to be FreakGeekWithStretchedEarl0bes.
Track fifteen is called Tampax and I haven't reviewed this, but it isn't brand new. Now, this sounds like something that would be in a rap movie's soundtrack... only with gross subject matter. I like the rap verses, and the beat, but the chorus and the name, are kinda gross.
Track sixteen is called WTFamIthinking ft. Baybay, and it starts out with others joined in, and Baybay starts rapping, pretty good, and then chorus (who is that?), and then a Spanky verse, which sounds like a typical spanky verse. Overall this song was too short to be really good, but for what it was, I liked it.
Track seventeen is a remix of Rocketship to the moon, (a full one), and it starts out leaving you thinking WTF? It sounds like spanky's singing in a cave, considering the echo. It's basically a long Zoom!.
The eighteenth and final track is a remix of Yea I'm The Sex, and the beat sounds like it was made for a pop singer, but then gets better.
Overall, I was a little disappointed with Dead Beat, because it was basically an EP filled up with remixes, and songs we've heard a hundred times. But I don't blame Spanky, I believe that the fans are to blame. They wanted Dead Beat, and they wanted it now. But the thing is, Spanky can't release an album quickly for you and still make it good. If I had to choose, I'd wait and get a better album. And because we were so impatient, we got this. Thanks a lot, DDC fanbase.
Well, I'm glad this review is over, and I look forward to reviewing Marilyn Manson's Born Villain, and Linkin Park's Living Things, among other albums this year.
Oh, and BTW, here's the links to the reviews of songs off this that I already reviewed:
Pound Sign EP:
http://clockworks2.blogspot.com/2012/04/revenge-of-pound-sign-ep-review.html
Smiley Mixtape (incomplete due to early release):
http://clockworks2.blogspot.com/2011/08/dot-dot-curve-smiley-mixtape-review.html
Track one is an intro called Lost My iPhone, and it was weird, but DDC always has weird intros, however, considering the lyrics in this one, the next one will probably just be too weird.
Track two is called Where's My Pants, and I already talked about this one in my review of Pound Sign EP, which I will post a link to at the end.
Track three is called Zoom!, and it sounds like if Skrillex did Rocketship to the moon. If you know who Skrillex is, you'll get the reference.
Track four is called Bologna, and I already reviewed it.
Track five is called What Happened!? (The first really new song on the album), and I like it. The beat's good, the lyrics are good, my only real complaint is that the lyrics sound like a generic party song.
Track six is called seXXX, which is like Zoom!, but with Yea I'm The Sex, and they managed to drag it out to three minutes and twenty seconds, oh, and they actually used a full verse.
Track seven is called David Banner, and I already reviewed it.
Track eight is called StonerBoySwag, and I thought, did they really put that song on this album, but I soon found out, it's another remix, but they dragged it out to four minutes and thirty-six seconds.
Track nine is called Right Now, and I already reviewed it.
Track ten is called POPbottles, and basically, it's like Zoom!, but with Boys Pop The Bottles.
Track eleven is called Vampire ft. N!tro, and I already reviewed it.
Track twelve is called FreakGeekWithStretchedEarl0bes, and I already reviewed it.
Track thirteen is called PocketFullOfChange, and it's something I really would've liked to see on I'm Still Here, because it sounds like something that would be on that album, and it's really good. Great rapping, great beat, and some screaming too.
Track fourteen is called TearThisPlaceUp and it's like Zoom!, for what seems to be FreakGeekWithStretchedEarl0bes.
Track fifteen is called Tampax and I haven't reviewed this, but it isn't brand new. Now, this sounds like something that would be in a rap movie's soundtrack... only with gross subject matter. I like the rap verses, and the beat, but the chorus and the name, are kinda gross.
Track sixteen is called WTFamIthinking ft. Baybay, and it starts out with others joined in, and Baybay starts rapping, pretty good, and then chorus (who is that?), and then a Spanky verse, which sounds like a typical spanky verse. Overall this song was too short to be really good, but for what it was, I liked it.
Track seventeen is a remix of Rocketship to the moon, (a full one), and it starts out leaving you thinking WTF? It sounds like spanky's singing in a cave, considering the echo. It's basically a long Zoom!.
The eighteenth and final track is a remix of Yea I'm The Sex, and the beat sounds like it was made for a pop singer, but then gets better.
Overall, I was a little disappointed with Dead Beat, because it was basically an EP filled up with remixes, and songs we've heard a hundred times. But I don't blame Spanky, I believe that the fans are to blame. They wanted Dead Beat, and they wanted it now. But the thing is, Spanky can't release an album quickly for you and still make it good. If I had to choose, I'd wait and get a better album. And because we were so impatient, we got this. Thanks a lot, DDC fanbase.
Well, I'm glad this review is over, and I look forward to reviewing Marilyn Manson's Born Villain, and Linkin Park's Living Things, among other albums this year.
Oh, and BTW, here's the links to the reviews of songs off this that I already reviewed:
Pound Sign EP:
http://clockworks2.blogspot.com/2012/04/revenge-of-pound-sign-ep-review.html
Smiley Mixtape (incomplete due to early release):
http://clockworks2.blogspot.com/2011/08/dot-dot-curve-smiley-mixtape-review.html
Sunday, April 22, 2012
Lana Del Ray SNL performance - WTF?
I remember watching the recent SNL episode with Daniel Radcliffe hosting and loving it. However I skipped over the Lana Del Ray performance which is what I usually do if I don't know the artist or don't like them. In this case it was don't know. However, after hearing that the critics said she was terrible I decided, "That's it, the next time it comes on, I am watching Lana Del Ray. And I watched it a few minutes ago and I cannot for the life of me understand why people thought she was so bad. I mean of course she wasn't good, but no pop star is, and she was good for a pop star. She was better than me when I sing in the car and a delirious friend says, you should be on TV and I make the cut because Rage Against The Machine didn't show up. Just kidding, for a pop star, she was very good, and I have no idea why people think she was so bad. I'll be doing another review soon (possibly a follow-up to the Pound Sign EP review).
Friday, April 20, 2012
Revenge Of The... Pound Sign EP review!
Hey Guys, I know it's been a while since I've done a review on anything, but I haven't had much good stuff to review. However, 2012 is the year. Every so often there is a year where every artist you love releases an album, and for me, it's 2012. Now I know I'm late on this one, but I'm reviewing it off YouTube cuz I have no money to spend on iTunes, so here is my review of Pound Sign EP by Dot Dot Curve.
The first track is called Right Now, and I don't know who the guys at the beginning are, but I wanna hear more from them. Spanky is great in screaming and rapping, and it's more fast and upbeat than say, Fruit Rolled Up. The only problem I can see(hear) is that it ended too soon.
The second track is called Vampire Ft. N!tro, and it seems like another one of those where N!tro has a rap verse at the beginning, and the artist starts, but it's almost all N!tro. Also, since when does N!tro sing? This reminds me of What The Future Holds in the way that it should be on the featured artist's album, and not DDC.
The third track is called Where's My Pants? which seems to be the big one, and it starts out pretty good, but is too long. This one is more crunk than core and is a throwback to I'm Still Here, except more extremely hip hop. Also I do believe it was dragged out too long. In fact, I don't remember a single scream in this song, which only happened in Stoner Boy Swag, as I remember. Good, but not great.
The last song is called Bologna, and this one is fantastic. It gets you interested in the beginning, and just gets better. This is definitely my favorite on the EP. The combination of Spanky's rap, screaming, and the sick beat, create the kind of song, you don't want to end. This one definitely was a great way to end the EP. My only criticism, is that the repeated "I be goin' ham!" gets the slightest bit annoying.
Well another review done, I have no idea what I'll review next (hoping for Born Villain by Marilyn Manson), so stay tuned.
The first track is called Right Now, and I don't know who the guys at the beginning are, but I wanna hear more from them. Spanky is great in screaming and rapping, and it's more fast and upbeat than say, Fruit Rolled Up. The only problem I can see(hear) is that it ended too soon.
The second track is called Vampire Ft. N!tro, and it seems like another one of those where N!tro has a rap verse at the beginning, and the artist starts, but it's almost all N!tro. Also, since when does N!tro sing? This reminds me of What The Future Holds in the way that it should be on the featured artist's album, and not DDC.
The third track is called Where's My Pants? which seems to be the big one, and it starts out pretty good, but is too long. This one is more crunk than core and is a throwback to I'm Still Here, except more extremely hip hop. Also I do believe it was dragged out too long. In fact, I don't remember a single scream in this song, which only happened in Stoner Boy Swag, as I remember. Good, but not great.
The last song is called Bologna, and this one is fantastic. It gets you interested in the beginning, and just gets better. This is definitely my favorite on the EP. The combination of Spanky's rap, screaming, and the sick beat, create the kind of song, you don't want to end. This one definitely was a great way to end the EP. My only criticism, is that the repeated "I be goin' ham!" gets the slightest bit annoying.
Well another review done, I have no idea what I'll review next (hoping for Born Villain by Marilyn Manson), so stay tuned.
Thursday, November 24, 2011
FTLD Holiday Double Feature Part 1: Forever The Living Dead - Survival Of The Illest review
Hey guys!
So I know it's been a while since I reviewed something, but I'm still recovering from that review of LIVE Backwards by JJ Demon. So I decided to do a holiday double feature on a band called Forever The Living Dead. Here's part 1, my review of Survival Of The Illest by Forever The Living Dead.
The first track is called Whomp Whomp! and it sounds like all their intros which sounds like Skrillex, but with other songs put in there, and honestly when that loud electronic part kicked in I was totally expecting a CALL 911 NOW!!! So yea, a pretty good way to start.
The second track is called Danger Ft. N!tro, and this is the second time I've heard N!tro rap this way, the first time being Fly Free by DDC, and what you don't suspect after this verse is an actual verse by the actual band (following Spanky's annoying as hell chorus on Fly Free), but then you hear "Yea it's green on the track so you all know what's up!" Pretty good verse by Green, and then Zero's verse is pretty good, but too much vocal effect so it doesn't even sound like him. And after the vocals end, you expect another "Fall back soldier you're always in danger" But no.
Track three is called Take The Picture, and it sounds unlike anything I've ever heard by FTLD ever! It sounds a little pop, and like something you'd hear on pop radio. Honestly, not something I'd listen to other than for the purpose of reviewing.
So, there was no track four on here for some reason, so skip directly to track five.
Track five is the first cover I've ever heard by FTLD and it's one of my favorite songs, "A Prophecy" by Asking Alexandria, and when it comes to screaming they weren't bad at all, but when it comes to singing, well, let me put it this way, I think this cover was more for the screaming, and the singing wasn't really the point of this cover, because the singing was not very good at all. I'll always prefer the Asking Alexandria version, but this wasn't a very bad version at all.
Track 6 is called Got No Time Fer My Haterz! with that annoying "Fer" you see a lot today, but the beat is amazing, and the lyrics are pretty sweet as well. The rap verses were really good, and to be honest, this song sounds like a better BOTDF.
Track 7 is a cover of a song called Down On Me by Jeremih Ft. 50 cent, And I think I probably like this version than the original cuz I hate 50 Cent. I really have nothing else to say about this song, except that they probably did more justice to this song than Jeremih and 50 cent did, because they did great.
Track 8 is called Why Do You Hate Me? Ft. Crunkasaurus and that first rap verse was amazing (the voice didn't sound like anyone from FTLD so I'll assume it's crunkasaurus), and for some reason after that verse it all of a sudden got slow, and then I think that's the chorus, then slow, then some awesome screaming, I think this song has everything, I've heard this song before, but I never realized how good it was until now. This song was faster at times than most FTLD songs too.
The ninth and final track on this is called Joker On Chronic ft. OhEmGee, and the chorus at the beginning, and OhEmGee verse was a great way to start the song and end the mixtape. Also I think Zero's first verse on this song, was his best on the whole mixtape. Also, did Green just insult Spanky of DDC for they way he screams? This mixtape ended in the perfect way.
Well, another review done, stay tuned on December first when I review the music video for FTLD's I Got Swag.
So I know it's been a while since I reviewed something, but I'm still recovering from that review of LIVE Backwards by JJ Demon. So I decided to do a holiday double feature on a band called Forever The Living Dead. Here's part 1, my review of Survival Of The Illest by Forever The Living Dead.
The first track is called Whomp Whomp! and it sounds like all their intros which sounds like Skrillex, but with other songs put in there, and honestly when that loud electronic part kicked in I was totally expecting a CALL 911 NOW!!! So yea, a pretty good way to start.
The second track is called Danger Ft. N!tro, and this is the second time I've heard N!tro rap this way, the first time being Fly Free by DDC, and what you don't suspect after this verse is an actual verse by the actual band (following Spanky's annoying as hell chorus on Fly Free), but then you hear "Yea it's green on the track so you all know what's up!" Pretty good verse by Green, and then Zero's verse is pretty good, but too much vocal effect so it doesn't even sound like him. And after the vocals end, you expect another "Fall back soldier you're always in danger" But no.
Track three is called Take The Picture, and it sounds unlike anything I've ever heard by FTLD ever! It sounds a little pop, and like something you'd hear on pop radio. Honestly, not something I'd listen to other than for the purpose of reviewing.
So, there was no track four on here for some reason, so skip directly to track five.
Track five is the first cover I've ever heard by FTLD and it's one of my favorite songs, "A Prophecy" by Asking Alexandria, and when it comes to screaming they weren't bad at all, but when it comes to singing, well, let me put it this way, I think this cover was more for the screaming, and the singing wasn't really the point of this cover, because the singing was not very good at all. I'll always prefer the Asking Alexandria version, but this wasn't a very bad version at all.
Track 6 is called Got No Time Fer My Haterz! with that annoying "Fer" you see a lot today, but the beat is amazing, and the lyrics are pretty sweet as well. The rap verses were really good, and to be honest, this song sounds like a better BOTDF.
Track 7 is a cover of a song called Down On Me by Jeremih Ft. 50 cent, And I think I probably like this version than the original cuz I hate 50 Cent. I really have nothing else to say about this song, except that they probably did more justice to this song than Jeremih and 50 cent did, because they did great.
Track 8 is called Why Do You Hate Me? Ft. Crunkasaurus and that first rap verse was amazing (the voice didn't sound like anyone from FTLD so I'll assume it's crunkasaurus), and for some reason after that verse it all of a sudden got slow, and then I think that's the chorus, then slow, then some awesome screaming, I think this song has everything, I've heard this song before, but I never realized how good it was until now. This song was faster at times than most FTLD songs too.
The ninth and final track on this is called Joker On Chronic ft. OhEmGee, and the chorus at the beginning, and OhEmGee verse was a great way to start the song and end the mixtape. Also I think Zero's first verse on this song, was his best on the whole mixtape. Also, did Green just insult Spanky of DDC for they way he screams? This mixtape ended in the perfect way.
Well, another review done, stay tuned on December first when I review the music video for FTLD's I Got Swag.
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